![]() Its a technique that many producers use to get better guitar sound, or experiment with sounds from. I'd like to try out the Radial and compare the tracks at some point, but for now this is definitely working for me. With a single output reamp box, you can record your direct guitar track through your favorite tube amp for a nice crunch, then run the same track back through. Reamping is a common term in home recording circles. I could spend $100 on the Radial Re-amp box, but I had all of this stuff on hand so figured it was worth a shot. I compared the graphic to that of the pre-recorded DI track and adjusted track levels and overall output level to try to get all of the waveforms looking roughly the same. Tone Modeler and Re-amp Box with Attenuation, Ground Lift, and 200 Presets. To further fine-tune the levels, I hit record and let it run for a bit, watching the waveform of the newly recorded track. IK Multimedia TONEX Capture Tone Modeler and Re-amp Box. I'm using that in conjunction with the attenuator on my DI box to get a really nice, clean, pickup-like signal. Your interface already has that built in. Then, the master "level" control on the Tascam basically becomes like the volume knob on your guitar. If you get an external di, all it will do is change your instrument signal into a mic signal. That dial needs to be set all the way to the "computer" side so that the only thing that goes to the output is the solo'd out DI track. On the Tascam, there's a dial that lets you determine what's being sent to the output - either the signal from the live inputs, or the already-recorded tracks in your DAW, or a balance between the two. (could certainly be done with just a single mic) A reamp box is a relatively new device that converts the output signal from your DAW back to a typical output. In my half-hour or so of experimenting last night, I found the -20db setting to come quite close to emulating my guitar pickup's output.Ĭhannel 1: DI guitar track, already recorded, no plugins, flat EQ, track solo'd out.Ĭhannel 2: Audio Technica AT4040, room mic - Recording enabled, monitoring OFF, start track level at 12 oclockĬhannel 3: Sure SM57, close mic - Recording enabled, monitoring OFF, start track level at 12 oclock that can benefit from a DI for recording. The newer version, which is $20 via Amazon, actually has an attenuator knob so it can be adjusted more precisely. It's quiet, it has a ground/lift switch, and an attenuator switch that can do 0, -20, or -40db. Using a Tascam US-600 interface into Garageband. So I decided to try tracking all of the guitar and bass DI and going back when I have time and access to a loud room. The time I do have is mostly time I have to create - late nights at home while the rest of the family is sleeping. ![]() I'm working on an EP for a side project and don't have a ton of time or resources to put into it. I did my first successful experiments with cheapo re-amping last night. Re-amping is a process often used in multitrack recording in which a recorded signal is routed back out of the editing environment and run through external. ![]()
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